by Jacqueline Briggs Martin and Phyllis Root
Jackie: We’ve passed the Solstice but we still have more night than day. We can watch the moon with our breakfast and with our dinner. We thought we’d celebrate this season of the moon by sharing some stories featuring that lovely ornament.
Phyllis: And Christmas Eve we saw an almost full moon casting shadows on the snow before the clouds blew in. Moonlight really is magical.
Jackie: There’s lovely magic in Papa, Please Get the Moon for Me by Eric Carle. This book has been a favorite of mine since my days as a preschool teacher. It never fails to please the sit-on-the-rug crowd. What’s not to love? There’s Eric Carle’s wonderful moon, and a father so dedicated that he finds a “very long ladder” and takes it to “a very high mountain.” Then he climbs to the moon and waits until it’s just the right size. He brings it back and gives it to his daughter. She hugs it, jumps and dances with it—until it disappears.
The combination of fantasy and real-moon, family affection and joy is just timeless. This thirty year old story could have been written yesterday.
Phyllis: In Kitten’s First Full Moon by Kevin Henkes, Kitten, too, yearns for the moon, mistaking it for a bowl of milk. “And she wanted it.” Closing her eyes and licking toward the moon only gives her a bug on her tongue, jumping at the moon ends in a tumble, and chasing the moon ends with Kitten up a tree and the moon no closer. After each attempt, the text reminds us of Kitten’s yearning: “Still, there was the little bowl of milk, just waiting.” When Kitten sees the moon’s reflection in the pond and leaps for it, she ends up tired, sad, and wet. Poor kitten! She returns home… to find a big bowl of milk on the porch, just waiting for her to lap it up.
Jackie: Kittens and children and all of us are fascinated by the moon. Thirteen Moons on Turtle’s Back: a Native American Year of Moons (Penguin, 1992) by Joseph Bruchac and Jonathan London is a collection of thirteen poems about the seasons of the moon from “each of the thirteen Native American tribal nations in different regions of the continent [chosen] to give a wider sense of the many things Native American people have been taught to notice in this beautiful world around us.” The noticing is one thing I love about this book. Reading these poems makes me want to walk in the woods and see something in a new way.
It feels as if we are in the season of the “Moon of Popping Trees.”
Outside the lodge
the night air is bitter cold.
Now the Frost giant walks
with his club in his hand.
When he strikes the trunks
of the cottonwood trees
we hear them crack
beneath the blow.
The people hide inside
when they hear that sound….
And that is much better than saying, “it’s cold.”
Phyllis: In “Baby Bear Moon” we learn how a small child lost in the snow was saved by sleeping all through the winter with a mother bear and her cubs. The poem concludes:
“when we walk by on our snowshoes
we will not bother a bear
or her babies. Instead
we think how those small bears
are like our children.
We let them dream together.”
Who wouldn’t want to sleep the winter away sharing dreams with bears?
Jackie: I love the poetry of this book—
made the first tree,
a great oak with twelve branches
arching over the land.
Then, sitting down beneath it,
the sun shining bright,
Earth Elder thought
of food for the people,
and acorns began to form.”
Perhaps the best is that Bruchac and London encourage us to see more than trees and grass, to imagine a landscape, a thrumming with history, community, and the spirits of sharing.
Jackie: Moonlight by Helen V. Griffith (Greenwillow, 2012) is also a poetic text—and spare:
Rabbit hides in shadow
under cloudy skies
waiting for the moonlight
blinking sleepy eyes.
But he goes into his burrow and doesn’t see “Moonlight slides like butter/skims through outer space/skids past stars and comets/leaves a butter trace.”
What a wonderful image! “Moonlight slides like butter.” Who can look at moonlight the same again?
Phyllis: I love the spare language of this book, and I love Laura Dronzek’s luminous art as well, where moonlight really does butter every tree and slips into Rabbit’s dreams, awaking him to dance in the moonlight. So few words, but so well chosen—verbs such as skims and skids and skips and skitters. A wonderful pairing of words and art that makes me want to dance in the moonlight, too.
Jane Yolen’s Owl Moon, which won a Caldecott for its evocative wintry art, is a story of an owl, patience, hope, and love. On a snowy night the narrator sets out to go on a long-awaited outing owling with Pa. She knows, because Pa says, that when you go owling you have to be quiet, you have to make your own heat, and you have to have hope. Their hope is finally rewarded when they spot an owl and stare into the owl’s eyes as it stare back before it flies away. The last image shows the small narrator being carried toward the lights of home by her pa. The book concludes:
When you go owling
you don’t need words
or anything but hope.
That’s what Pa says.
The kind of hope
on silent wings
under a shining
Jackie: “When you go owling/you don’t need words/or warm/ or anything but hope.” The shining moon, a light in the night, a lamp of hope that we turn into a friend in the sky. These books make me grateful for long nights.
Phyllis: And for moonlight and dreams and dancing.