Perseverance

The Oldest Student
Patience and perseverance are among the hardest things for children to learn. How can we make pressing on in the face of discouragement interesting to kids? By reading them amazing stories of creativity and resilience!

Growing a Nonfiction Reader
and Even a Nonfiction Writer

Candice Ransom
It is more impor­tant to pave the way for the child to want to know 
than to put him on a diet of facts he is not ready to assim­i­late
.  —Rachel Car­son One would nev­er guess from the fol­low­ing excerpts that a cer­tain nine-year-old would grow up to write more than 50 non­fic­tion children’s books.  This is from my fourth-grade book­let on Florida: The Cypress swamp is a part of the Everglades.more

Jen Bryant

Jen Bryant
Author and poet Jen Bryant is known for her pic­ture book biogra­phies of artists, poets, word­mon­gers, com­posers, and play­wrights. Her verse and prose nov­els are well-researched, often focused on an his­toric event like the Scopes tri­al or the Lind­bergh kid­nap­ping tri­al or Cap­tain Kid­d’s buried trea­sure in New Jer­sey. Always focused on her next book, we’re thank­ful Jen took time from her sched­ule to answer our Skin­ny Dip questions. … more

Some Illustrator!

Candice Ransom
In my next life, I’m com­ing back either as a cat liv­ing in our house (think Canyon Ranch for cats), or Melis­sa Sweet. I’ve fol­lowed her career since she illus­trat­ed James Howe’s Pinky and Rex (1990). I love this book for its atyp­i­cal char­ac­ters (Pinky is a boy who loves pink and stuffed ani­mals, and Rex, his girl friend, is into dinosaurs), but also for Melissa’s fresh-faced char­ac­ters and bright watercolors.… more

Working with an Editor

Jen Bryant
What’s it like to work with an editor?”is a ques­tion I often get from teach­ers, stu­dents, and aspir­ing authors and it’s one that takes some time to ful­ly answer. In the best sit­u­a­tions, an editor’s rela­tion­ship to her author is like a coach’s rela­tion­ship to an ath­lete: know­ing her author’s per­son­al­i­ty, tal­ent, and poten­tial, she encour­ages her strengths, while tact­ful­ly push­ing her toward improv­ing on her weak­ness­es.… more

Melissa Sweet

Melissa Sweet
In this inter­view with Melis­sa Sweet, illus­tra­tor of A Riv­er of Words: The Sto­ry of William Car­los Williams, our Book­storm™ this monthwe asked six ques­tions and Melis­sa kind­ly took time from her busy days of vis­it­ing schools and cre­at­ing art.
Do you recall the first time you encountered a William Carlos Williams poem? My first introduction to William Carlos Williams was when I was seven years old and went to the Metropolitan Museum of Art.… more

Jen Bryant

Jen Bryant
In this inter­view with Jen Bryant, author of A Riv­er of Words: The Sto­ry of William Car­los Williams, our Book­storm™ this month. Do you recall the first time you encountered a William Carlos Williams poem? I was in high school—and it was part of an anthology reading that we did for English class. I had disliked/not understood/ been unmoved by all of the other poems in this assigned reading (I recall that the language in those poems was archaic and flowery, and the forms very, VERY traditional)—and then—whooosh—like a breath of fresh air, here were a few selected W.… more

Bookstorm™: A River of Words

A River of Words
  Author Jen Bryant and illus­tra­tor Melis­sa Sweet have teamed up on a num­ber of pic­ture book biogra­phies about cre­ative artists. We’ve cho­sen to fea­ture their very first col­lab­o­ra­tion dur­ing this month in which poet­ry takes the spot­light. By telling us the true sto­ry about poet William Car­los Williams’ child­hood and grow­ing up, with his clear poet­ry sur­round­ing the pages, they awak­en inter­est in young peo­ple who may think this no-longer-liv­ing, ancient (he was born in 1883 and died in 1963) poet is not with­in reach.… more

Jen Bryant: The Writing Apprenticeship

by Jen Bryant Sev­er­al months ago, I was asked to be on a pan­el for a new-writ­ers work­shop. Dur­ing the ques­tion and answer peri­od, one woman com­ment­ed: “I keep hear­ing that writ­ing is a craft that requires time and prac­tice to mas­ter. I get that … but as some­one who’s eager to be an appren­tice but has nei­ther the time nor mon­ey to enroll in an MFA pro­gram, how — exact­ly — do I go about find­ing some­one who’s qual­i­fied, will­ing, and avail­able to men­tor me?”… more

Skinny Dip with Jen Bryant

What animal are you most like? Probably a cat. I’m very independent, I love to sit in a puddle of warm sun, I spend a lot of my free time watching birds, and I’m very attached to my home. (I would have said a dog, but I’m not that obedient!)  Which book of yours was the most difficult to write or illustrate?… more

Jen Bryant: It’s Not Pretty!

by Jen Bryant I’ve always had an ambiva­lent rela­tion­ship with the word “inspi­ra­tion.” On the one hand, I acknowl­edge the illu­sive, inex­plic­a­ble aspect of the writ­ing process that I can’t con­trol, when the lines, para­graphs, pages seem to flow from some­where out­side of myself, knit­ting togeth­er almost seam­less­ly. On the oth­er hand (and this is the much, much heav­ier hand) I believe that good writ­ing — like all good art — comes from con­scious effort, com­mit­ment, and lots of tri­al and error.… more