Jen Bryant

Jen Bryant

Author and poet Jen Bryant is known for her pic­ture book biogra­phies of artists, poets, word­mon­gers, com­posers, and play­wrights. Her verse and prose nov­els are well-researched, often focused on an his­toric event like the Scopes tri­al or the Lind­bergh kid­nap­ping tri­al or Cap­tain Kid­d’s buried trea­sure in New Jer­sey. Always focused on her next book, we’re thank­ful Jen took time from her sched­ule to answer our Skin­ny Dip questions. … more
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Jen Bryant

Jen Bryant

In this inter­view with Jen Bryant, author of A Riv­er of Words: The Sto­ry of William Car­los Williams, our Book­storm™ this month. Do you recall the first time you encountered a William Carlos Williams poem? I was in high school—and it was part of an anthology reading that we did for English class. I had disliked/not understood/ been unmoved by all of the other poems in this assigned reading (I recall that the language in those poems was archaic and flowery, and the forms very, VERY traditional)—and then—whooosh—like a breath of fresh air, here were a few selected W.… more
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Jen Bryant: The Writing Apprenticeship

by Jen Bryant Sev­er­al months ago, I was asked to be on a pan­el for a new-writ­ers work­shop. Dur­ing the ques­tion and answer peri­od, one woman com­ment­ed: “I keep hear­ing that writ­ing is a craft that requires time and prac­tice to mas­ter. I get that … but as some­one who’s eager to be an appren­tice but has nei­ther the time nor mon­ey to enroll in an MFA pro­gram, how — exact­ly — do I go about find­ing some­one who’s qual­i­fied, will­ing, and avail­able to men­tor me?”… more
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Skinny Dip with Jen Bryant

What animal are you most like? Probably a cat. I’m very independent, I love to sit in a puddle of warm sun, I spend a lot of my free time watching birds, and I’m very attached to my home. (I would have said a dog, but I’m not that obedient!)  Which book of yours was the most difficult to write or illustrate?… more
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Jen Bryant: It’s Not Pretty!

by Jen Bryant I’ve always had an ambiva­lent rela­tion­ship with the word “inspi­ra­tion.” On the one hand, I acknowl­edge the illu­sive, inex­plic­a­ble aspect of the writ­ing process that I can’t con­trol, when the lines, para­graphs, pages seem to flow from some­where out­side of myself, knit­ting togeth­er almost seam­less­ly. On the oth­er hand (and this is the much, much heav­ier hand) I believe that good writ­ing — like all good art — comes from con­scious effort, com­mit­ment, and lots of tri­al and error.… more
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The Oldest Student

Perseverance

Patience and perseverance are among the hardest things for children to learn. How can we make pressing on in the face of discouragement interesting to kids? By reading them amazing stories of creativity and resilience!
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Candice Ransom

Growing a Nonfiction Reader
and Even a Nonfiction Writer

It is more impor­tant to pave the way for the child to want to know 
than to put him on a diet of facts he is not ready to assim­i­late
.  —Rachel Car­son One would nev­er guess from the fol­low­ing excerpts that a cer­tain nine-year-old would grow up to write more than 50 non­fic­tion children’s books.  This is from my fourth-grade book­let on Florida: The Cypress swamp is a part of the Everglades.more
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Jen Bryant

What Gets Left Out

In my three decades as a pro­fes­sion­al author, I’ve writ­ten about many intrigu­ing, accom­plished peo­ple: the Wyeth fam­i­ly of artists, painter Geor­gia O’Keeffe, abo­li­tion­ist Lucre­tia Mott, author Peter Mark Roget, poets William Car­los Williams and Mar­i­anne Moore, self-taught artist Horace Pip­pin, inven­tor Louis Braille, and most recent­ly Pulitzer Prize-win­ning play­wright August Wil­son. In every case, I’ve focused my research on the words and the work of the sub­ject them­selves and have cre­at­ed what I hope are poet­ic and acces­si­ble books about these impor­tant men and women for young readers.… more
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Candice Ransom

Some Illustrator!

In my next life, I’m com­ing back either as a cat liv­ing in our house (think Canyon Ranch for cats), or Melis­sa Sweet. I’ve fol­lowed her career since she illus­trat­ed James Howe’s Pinky and Rex (1990). I love this book for its atyp­i­cal char­ac­ters (Pinky is a boy who loves pink and stuffed ani­mals, and Rex, his girl friend, is into dinosaurs), but also for Melissa’s fresh-faced char­ac­ters and bright watercolors.… more
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Before Morning

Essential Holiday Giving: Books

Hands down, there is no bet­ter gift for hol­i­days or birth­days than a book. You can find a book to suit every inter­est, every taste, and your bud­get. You can always feel good about giv­ing a book (unless you’re giv­ing a gift to some­one who lives in a Tiny House … ask first).  Here’s my list of sug­ges­tions for the hol­i­days. It’s filled with books that are infor­ma­tive, beau­ti­ful­ly illus­trat­ed or pho­tographed, use­ful, well-writ­ten, but most­ly books that can be savored or cher­ished, with uplift­ing stories.… more
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A River of Words

Bookstorm™: A River of Words

  Author Jen Bryant and illus­tra­tor Melis­sa Sweet have teamed up on a num­ber of pic­ture book biogra­phies about cre­ative artists. We’ve cho­sen to fea­ture their very first col­lab­o­ra­tion dur­ing this month in which poet­ry takes the spot­light. By telling us the true sto­ry about poet William Car­los Williams’ child­hood and grow­ing up, with his clear poet­ry sur­round­ing the pages, they awak­en inter­est in young peo­ple who may think this no-longer-liv­ing, ancient (he was born in 1883 and died in 1963) poet is not with­in reach.… more
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Jen Bryant

Working with an Editor

What’s it like to work with an editor?”is a ques­tion I often get from teach­ers, stu­dents, and aspir­ing authors and it’s one that takes some time to ful­ly answer. In the best sit­u­a­tions, an editor’s rela­tion­ship to her author is like a coach’s rela­tion­ship to an ath­lete: know­ing her author’s per­son­al­i­ty, tal­ent, and poten­tial, she encour­ages her strengths, while tact­ful­ly push­ing her toward improv­ing on her weak­ness­es.… more
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