Tag, You’re It! (Part 4)

How to Get Your Children’s Book Published
Step #4: Main Characters in Publishing

After last issues’ long post about pub­lish­ing com­pa­nies, it’s time to briefly talk about the main char­ac­ters with­in and around those pub­lish­ing com­pa­nies. These are the peo­ple who will help get your book to mar­ket and work to make it a suc­cess. When I was new to this busi­ness, peo­ple threw around terms like “edi­tor,” “art direc­tor,” “agent” and though I pre­tend­ed, I real­ly had no idea who or what they were talk­ing about!  I hope this post saves you the embar­rass­ment I felt, and piques your inter­est to learn more, because there is always, always more to learn! 

This post will address only those folks in the pub­lish­ing indus­try that authors inter­act with reg­u­lar­ly. There are hun­dreds of folks involved in get­ting a book print­ed and to mar­ket, but while pro­duc­tion and sales, for exam­ple, are ESSENTIAL, as an author you will rarely inter­act with the peo­ple in those roles. Let’s con­cen­trate on basic def­i­n­i­tions for those folks you will talk to on a con­sis­tent basis.

Evermore Publishing Company
AGENT

rep­re­sents you as an author (and/or illus­tra­tor) and sells your work through­out the indus­try nation­al­ly or world­wide. For their ser­vices, they typ­i­cal­ly earn a 15% com­mis­sion. There are still some pub­lish­ers who acquire un-agent­ed man­u­scripts, espe­cial­ly in the pic­ture book genre. Per­son­al note: my first three pic­ture books were sold with­out an agent.

EDITOR

Over­sees the book project from ini­tial acqui­si­tion through final pro­duc­tion and beyond. Typ­i­cal­ly, an author’s first and main con­tact. The edi­tor focus­es on the over­all mean­ing and mar­ketabil­i­ty of your text and helps turn your man­u­script into a book peo­ple want to read.  They also pro­mote you and your book(s) with­in the pub­lish­ing com­pa­ny and the industry.

COPYEDITOR

Focus­es on the tech­ni­cal aspects of your doc­u­ment: gram­mar and punc­tu­a­tion but also con­sis­ten­cy, rep­e­ti­tions, lan­guage use and mean­ing, fact check­ing, etc. This can be a depart­ment not just one per­son so mul­ti­ple copy­edit­ing pass­es are to be expected.

ART DIRECTOR

Respon­si­ble for the over­all visu­al look of the final book. This per­son super­vis­es a team that will togeth­er pro­duce the cov­er, inte­ri­or illus­tra­tions or pho­tographs, book and page lay­outs, type­faces, etc. Depend­ing on the con­tract and expe­ri­ence, the author may or may not get input on visu­al matters.

PUBLICIST

Plans and runs the cam­paigns to pro­mote your book, includ­ing online, print, TV, radio, blogs, etc. both gen­er­al and indus­try spe­cif­ic. Also may han­dle press releas­es, book tours and appear­ances depend­ing on book suc­cess and budget.

MARKETING MANAGER

Plans the adver­tis­ing for the book to spe­cif­ic mar­kets, like libraries, schools, retail­ers, book sub­scrip­tions, etc. They pro­duce any mate­ri­als (ex: ads, book­marks, t‑shirts, mugs, videos) to reach those mar­kets, also can include social media graph­ics for Tik­Tok, YouTube, Face­book, to tar­get mar­kets. Yes, there is over­lap with pub­lic­i­ty; but the entire pub­lish­ing team usu­al­ly works togeth­er well.

Ta-da! Those are your main pub­lish­ing char­ac­ters defined. I’m going to include two more to know ear­ly on in your writ­ing jour­ney. One for pic­ture book, board book or graph­ic nov­el authors, the sec­ond for all authors.

ILLUSTRATOR

Respon­si­ble for pro­duc­ing the art in a board book, pic­ture book or graph­ic nov­el. This per­son brings your text to life and tells at least the oth­er half of your sto­ry. You may not meet or even be con­trac­tu­al­ly allowed to speak with them about the book. Trust them any­way. An illus­tra­tor is your part­ner, so you should always (in inter­views, at con­fer­ences, or speak­ing engage­ments) give them the cred­it they deserve for cre­at­ing the book with you.

REVIEWERS

read your book pre-pub­li­ca­tion and give their opin­ion for the gen­er­al pub­lic or spe­cif­ic mar­kets. There are 5 major tra­di­tion­al review pub­li­ca­tions for children’s books: Kirkus Reviews, The Horn Book, School Library Jour­nal, Book­list, and Pub­lish­ers Week­ly, but the review indus­try is chang­ing. Many new­er review sites and for­mats exist, some like Tik­Tok, #Book­Tok, Ama­zon, and Goodreads are essen­tial.  The process of get­ting books to review­ers is typ­i­cal­ly han­dled at the pub­lish­er. A starred review from the main review­ers is impor­tant and grat­i­fy­ing, but authors need to remem­ber 1) any review is one person’s opin­ion, and 2) do not com­ment direct­ly as the author to any review or review­er of your book. Check with your agent or edi­tor first if you have issues with a spe­cif­ic review and they will advise you on a course of action.

Inside Book PublishingAn in-depth expla­na­tion of more of the char­ac­ters at the pub­lish­er can be found here. And here is a book that cov­ers the whole indus­try if you’re some­one who likes to know prac­ti­cal­ly every­thing before you start.

Inside Book Pub­lish­ing by Angus Phillips and Giles Clark. A thor­ough guide to book pub­lish­ing. Whether on Kin­dle or in print, this is a very expen­sive pub­li­ca­tion, so try your local library loan depart­ment. Total­ly worth read­ing if you want to know all the details across pub­lish­ing sec­tors and across the world.

Now that you know your main char­ac­ters, next time we’ll cov­er the steps in the book pro­duc­tion process or what you will actu­al­ly do as an author. Until then, as always, keep writing!

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