Don’t Stop … Believing

How to Get Your Children’s Book Published
Step #8: Don’t Stop … Believing

We have come to the end of our series for teach­ers on pub­lish­ing a children’s book. I hope in these past 7 months my arti­cles have giv­en you a bet­ter idea of what children’s authors do as well as the pub­lish­ing busi­ness that employs us. We have learned about the types of children’s books, pub­lish­ers and their employ­ees, the process of book mak­ing, writ­ing a sto­ry, and how to fix it.

Learn­ing about writ­ing for chil­dren is nev­er over. Like teach­ing, as you work at it, you will learn more. In fact, that aspect of con­stant learn­ing is one of the best things about the job. Some of the peo­ple I’ve learned the most from have been oth­er writ­ers. The expe­ri­ences that have been most help­ful to me include:

  1. SCBWISCBWI: Mem­ber­ship, Class­es, and Conferences
  2. Writ­ers Groups: Oth­ers cri­tiquing my work
  3. Men­tor Texts: As rec­om­mend­ed, I read lots of children’s books, but even bet­ter, I made it a reg­u­lar prac­tice to take the books I real­ly admired and type out the man­u­scripts in sub­mis­sion for­mat as if I had writ­ten them. This prac­tice taught me how few words a pic­ture book real­ly is and made it clear how much of the sto­ry the art car­ries when the art was not on the page. It showed me my part of the story.

Here’s the real chal­lenge about this most sub­jec­tive of busi­ness­es — no one can tell you ahead of time what will be most help­ful to you. As a cre­ator, you must fig­ure out what works for you as you grow in your career. Oth­er than SCBWI, here are a few more resources that may be helpful:

High­lights Foun­da­tionHighlights Foundation: This orga­ni­za­tion has online and in per­son work­shops led by some of the most suc­cess­ful children’s writ­ers in the busi­ness. Their cours­es cov­er all types of books, both writ­ing and illus­trat­ing, begin­ners to expe­ri­enced, var­i­ous price lev­els and schol­ar­ships available.

The Writ­ing BarnThe Writing Barn: A cen­ter for teach­ing children’s writ­ers. Many great cours­es includ­ing  the Courage to Cre­ate com­mu­ni­ty of which I’ve heard rave reviews.

MFA Pro­grams. If you are seri­ous about learn­ing all you can, there are at least three uni­ver­si­ties offer­ing MFA Pro­grams in Children’s Writ­ing: Ver­mont Col­lege of Fine Arts, Ham­line Uni­ver­si­ty and  Sim­mons Uni­ver­si­ty. The MFA is not in any way required (or a guar­an­tee) to get a book pub­lished.  Yet those who choose this route usu­al­ly find a great com­mu­ni­ty of sup­port­ive writ­ers while learn­ing exten­sive sto­ry tech­niques from pro­fes­sors who are work­ing children’s writ­ers. Even if you don’t pur­sue an advanced degree, look for any oppor­tu­ni­ty to cul­ti­vate a com­mu­ni­ty of fel­low children’s writ­ers, they will almost always be your best teachers.

The Business of Being a WriterIf you are a teacher who wants to pub­lish a children’s book, my final book rec­om­men­da­tion is Jane Friedman’s The Busi­ness of Being a Writer. This book if for “those who want to make a full- or part-time job out of writ­ing” and promis­es “a more pos­i­tive and pro­duc­tive career” based on under­stand­ing “the basic busi­ness prin­ci­ples under­ly­ing the indus­try.” I like that Jane is open about the chal­lenges of writ­ing as a career. I’ve met too many sug­ar-coaters — peo­ple who will tell you that writ­ing for chil­dren is all “play” or those who attribute suc­cess to acci­dent (or social media!). Unless you are already a celebri­ty, mak­ing a liv­ing as any kind of writer does not hap­pen by acci­dent, and Jane’s book tells you why.

Like a good nar­ra­tive, I’m going to end where I start­ed, with belief. Children’s pub­lish­ing (like edu­ca­tion!)  is a won­der­ful, dif­fi­cult, joy­ful, frus­trat­ing way to make a liv­ing. The only thing that gets most children’s writ­ers to pub­li­ca­tion is our belief in young peo­ple and in books them­selves. Most of us were chil­dren for whom books were impor­tant, and we need to share that expe­ri­ence with today’s chil­dren. Some of us write fic­tion for babies, some of us write non­fic­tion for high school­ers, some of us write poet­ry, oth­ers how-to books, some write it all! But authors do what we do because we believe in the world-chang­ing pow­er of words, and we can’t wait to wel­come your pub­lished book into the world too. Keep believ­ing, the young peo­ple of the world need your story!

Tag, You’re It! the series …

Step #1,  Believe

Step #3,  The Pub­lish­ers

Step #5,  The Book Process

Step #6,  Writ­ing Story

Step #7,  Fix­ing It

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