The Crack in the Door:
How I Came to Write Bones in the White House

Candice Ransom
I’ve been keen on dinosaurs and Ice Age mam­mals my whole life, since I read Roy Chap­man Andrews’ All About Dinosaurs. When I was nine, I added pale­on­tol­o­gist to my string of future occu­pa­tions (writer, artist, bal­let dancer, detective). My love for Jef­fer­son began when we moved to Fred­er­icks­burg in 1996. I was tour­ing James Monroe’s Law Office down­town one day and learned how the build­ing was near­ly torn down in 1927 for a gas sta­tion when Monroe’s descen­dant stepped in and turned it into a museum.… more

Pterodactyls and Dragons

Candice Ransom
The Boy chiefly dab­bled in nat­ur­al his­to­ry and fairy-tales, and he just took them as they came, in a sand­wichy sort of way, with­out mak­ing any dis­tinc­tions; and real­ly his course of read­ing strikes one as rather sen­si­ble.” The Reluc­tant Dragon Ken­neth Gra­hame wrote “The Reluc­tant Drag­on” as a chap­ter in his book Dream Days, in 1898, ten years before pub­lish­ing The Wind in the Wil­lows.… more

Catherine Thimmesh: Researching Paleoartistry

Catherine Thimmesh, photo by Lori Dozier
 How did you learn about paleoartists?  While I was working on my book Lucy Long Ago, part of that research revealed the work of a paleoartist who reconstructed living creatures from paleo times based on fossil evidence, including the hominid, Lucy.  How did you decide which paleoartists to contact? I researched the world's top paleoartists—as defined by the paleontologists and paleoartists themselves.… more