Winding Oak's Bookology Magazine

Interview: Eric Rohmann

Bulldozer’s Big Day
writ­ten by Can­dace Flem­ing
illus­trat­ed by Eric Rohmann
Atheneum, 2015

inter­view by Vic­ki Palmquist

What’s the illus­tra­tion tool you turn to more than any oth­er?

Graphite pen­cil. Sim­ple, effi­cient, erasable, feels good in the hand, makes a love­ly line with infi­nite pos­si­bil­i­ties for line vari­a­tion. Did I men­tion that it’s erasable? Always for­giv­ing!

What illus­tra­tion tech­nique haven’t you tried that keeps call­ing out to you?

Relief print­mak­ing. The tech­nique gives you so much—the qual­i­ty of the mark, the lay­er­ing of col­or look dif­fer­ent than any­thing I can make with any oth­er tech­nique.

What do you do when you’ve run out of inspi­ra­tion? What gets you going again?

Mak­ing some­thing. Look­ing at some­thing oth­ers have made. It’s a big world out there and there is plen­ty to see.

ph_EricRohmann-studio

Eric’s stu­dio

Who is your favorite illus­tra­tor who is no longer with us? And it could be more than one per­son.

William Stieg…and  Helen Sewell, Wan­da Gag, Mau­rice Sendak, Crock­ett John­son, Robert McCloskey, Vir­ginia Lee Bur­ton, James Marshall…just to name a few.

Did win­ning the Calde­cott (medal and hon­ors) change how you think about your work?

Yes. It made me more atten­tive, more ded­i­cat­ed, more aware of my audi­ence. It also took off the pres­sure of ever think­ing about such things again!

How and where do you and Can­dy talk over a new project?

bk_OhNoEvery­where and any­where. Bulldozer’s Big Day was begun on a car ride from Indi­anapo­lis to Chica­go. Giant Squid at an ALA hotel room. Oh, No! in Bor­neo while walk­ing in the jun­gle.

If you could sit down with four oth­er book artists, liv­ing or dead, and have din­ner and a con­ver­sa­tion, who would they be?

This is not fair! Just four? Hmmm… William Stieg, Beat­rix Pot­ter, M.T. Ander­son, Mau­rice Sendak. 

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